Tell Me Lies Season 2's Twisted Finale, Explained

Spoilers for the Tell Me Lies season 2 finale ahead.

When a crime-centered show like Big Little Lies moves beyond the book that inspired it, there is a temptation to bury another body. But season two of Hulu’s Tell Me Lies—a series based on the eponymous 2018 novel by Carola Lovering—wisely keeps all of its characters’ hearts beating, then breaking, just as series creator Meaghan Oppenheimer intended.

“It felt like a better show to me this season,” she tells Vanity Fair in a recent Zoom. “I loved season one, but I felt like Hulu allowed me to take a lot more risks this season. There was a death in season one, the mystery of the dead body, and there’s usually a pressure to have another. I said, ‘How do I avoid that? Because I don’t want another murder.’” Jordan Helman, head of scripted originals at Hulu, had a single directive: “Just don’t bore me.”

Oppenheimer listened. The second season of Tell Me Lies, which centers on a group of frenemies in the present day of 2015 and in their college days in 2008, expands beyond the tortured romance of classmates Lucy Albright (Grace Van Patten), and Stephen DeMarco (Jackson White). Lucy tries (and fails) to get over Stephen by dating reformed bad boy Leo (Thomas Doherty). Stephen torches his rekindled relationship with his increasingly jaded girlfriend, Diana (Alicia Crowder), who later finds love with Pippa (Sonia Mena)—to the dismay of her haunted ex, Wrigley (Spencer House). After learning that her devoted boyfriend, Evan (Branden Cook), slept with another woman, Bree (Catherine Missal) falls into the arms of her much older college professor, Oliver (Tom Ellis), who is married to Bree and Lucy’s English teacher, Marianne (Gabriella Pession). If that weren’t enough dysfunction to go around, the season ends on a 2015 flash-forward in which Bree discovers that the woman Evan slept with was Lucy, just moments before she is set to marry him. Boredom? What’s boredom?

After dropping about a dozen bombs, Oppenheimer spoke to VF about writing a teacher-student relationship for the open-marriage era, casting her real-life husband as her show’s dirty professor, and her sixth sense for creating fucked-up characters: “I don’t know how to write something that isn’t a little bit dark.”

Vanity Fair: Going into the season, you said that a storyline involving Lucy had the potential to get you “canceled.” I’m going to guess you were referring to how Lucy handled Pippa being sexually assaulted by Chris, her best friend Lydia’s brother. Lucy falsely claims she was also one of his victims so that he might face some accountability—a decision that totally backfires. Why decide to take the storyline in that direction?

Meaghan Oppenheimer: I knew going into the season that Lucy needed to betray Lydia in some way, sacrificing herself for the sake of one of her friends. [In the 2015 timeline, Stephen and Lydia are engaged.] I don’t know exactly why I got the idea. It was very late at night. I was in bed and my wheels were turning. Then I just thought, what if she says that the sexual assault happened to her? Because that would be a huge betrayal to Lydia, at least in Lydia’s mind, but she’s doing it for the right reason.

When I pitched it to the writers’ room, it was so divisive. Some of the writers were like, “That’s extremely offensive. We can’t do that.” And other writers were like, “This is the show and we have to do it.” So just seeing the conversation, I knew that we needed to do it. I think people are so hard on TV characters. I’m not trying to say these people are examples of what you should do. I’m just trying to hold a mirror up to things that people might do. So maybe it’s just my stubborn streak that when someone says something is offensive, I want to do it.

Sonia Mena as Pippa and Grace Van Patten as Lucy in Tell Me Lies.Josh Stringer

But also in 2008, the discussions around consent and sexual assault were not what they are today. Girls, especially on college campuses, were left with so little help in these situations. All of us in the room, for the most part, were in college during 2008. So we all had firsthand experiences in this world. There was maybe a bit of anger on my part of just saying, you know what? We’re going to have someone do the most unforgivable thing, because in reality, society and the system did not help this girl. She’s going to do something fucked up because no one else is helping.

Pippa is in such a state of shock that she hasn’t really processed it and decided how she feels about what Lucy did. Things are probably going to get worse before they get better, because that lie needs to have ramifications. Pippa didn’t want the story to continue. She wanted it to be over and done with. Lucy has now done something that accidentally means the story is going to still be around, and she’s going to have to keep thinking and hearing about Chris.

In the season’s penultimate episode, Stephen tells Lucy: “You loved me even though you knew the worst things about me and I loved you knowing the worst of you. That’s why we don’t work with anyone else.” The juicy part is that it makes some sense. Is there a world in which they work through their issues, or are they forever doomed?

We always have to find reasons to believe that these people would still come back to each other. And a very true thing about their dynamic was that they have accepted each other at their worst. He did leave her, but it wasn’t because of the things that she did wrong, and she never gave up on him because of the things that he did wrong. So whether or not they’re good for each other, these two people have accepted things that no one else knows or would accept about them.

Certainly for Lucy, when you’re at rock bottom and you feel like a piece of shit, knowing that someone else accepts that is an incredibly safe and reassuring feeling. I think that’s why a lot of people, when they are in really devastating situations in their lives, tend to gravitate towards people that are not great for them, because they don’t think they deserve better. They’ve just fucked each other up so badly that their broken pieces only work with each other. They’ve worked each other into these shapes that only fit together, unfortunately.

Jackson White as Stephen and Grace Van Patten as Lucy in Tell Me Lies.Josh Stringer

Diana reclaimed her power by orchestrating the breakup with Stephen, which she made look like his idea. What can you say about her romance with Pippa in 2015?

I loved them together so much, and it wasn’t until that episode five ending scene, I was like, this is actually really giving me serious feelings in a nice way. But they have a long way to go from where we leave them in Pippa’s sophomore year. Pippa is much further along in her exploration of her sexual identity. Diana also comes from a family that is not going to be as okay with her being in a relationship with a woman. That probably creates some tension between them, where Pippa is willing to be honest about what they are sooner than Diana is.

Bree’s affair with her married professor Oliver is unraveled after she discovers his wife, Marianne, was totally aware of it. I’ve never seen a teacher-student storyline unfurl like that, where the spouse is supportive of the infidelity.

We knew early on in the room that there was going to be this affair, and it was going to be with Marianne’s husband. Then I was just thinking about the different forms of consent. I had watched I May Destroy You, which I think is one of the best shows ever, and the moment that really haunted me was when the character has the threesome with two men, she thinks it’s all happened organically. Then she sees them walk out and high five and she realizes they were in on it together. The worst thing about feeling cheated on or lied to is knowing that two other people had a secret that you didn’t know about.

Bree believes that she has this secret with Oliver. The worst thing that could happen is to realize that she was never actually in on the secret—it was this game that these other two people were playing. The student-teacher trope has obviously been done before, and I wanted to find a way to subvert expectations. I’m glad that people have thought that was as devastating as I do. I feel so badly for Bree, and I was worried that people would not have empathy for her.

Catherine Missal as Bree and Tom Ellis as Oliver in Tell Me Lies.Josh Stringer

But Marianne makes a good point when she asks Bree, “You preferred it when I was just some clueless wife having her life ruined behind her back while you fucked her husband?” How did you navigate writing a character who has these complex feelings about her husband’s extramarital affair?

I’m always fascinated by open relationships. I don’t understand how people do it. I think it’s absolutely fucking crazy. What I have learned from a lot of my friends that have them is usually there is one person who actually wants it, and one person who’s doing it to keep the other person. Not always, obviously. For some people it totally works. But I think that is a very common thing. It’s fun to create the backstory of all the things we never actually reveal in the show, this idea that Oliver’s dead first wife was probably the person he loved more than anyone, that was taken away from him very young, and it damaged him. Now Marianne is left with a slightly broken man to love, and he’s giving her the most that he can give her. But it’s not everything.

Then Marianne has the audacity to tell her fellow student Lucy, “I’m just grateful he didn’t meet you first.” In my notes I wrote down, “Wild!” Please tell me we’ll see more from this couple.

Yeah, they’re insane. Marianne and Oliver need a whole spinoff. I’ve always anticipated that Marianne would need to come back. I hadn’t planned on Oliver coming back, but I’ve had so many questions about what happens next for him. I wasn’t anticipating people having so many unanswered questions about him, and where there are questions, there’s definitely potential for story.

Gabriella Pession as Marianne and Tom Ellis as Oliver in Tell Me Lies.Josh Stringer

I love that last scene. That line had not been in there originally, and it was Gabriella that was like, “I just need her to say something else to Lucy. I need one moment of closure.” I was like, “I don’t think that she should get closure, but I can give you something more fucked up to end with.” So I pitched that line to one of our writers, Victoria [Bata], who was like: “Oh, that’s gross. Yeah, you gotta say that.”

Oliver is played by your real-life husband. How did you navigate keeping your professional and personal ties separate?

My own life experiences obviously influence the show, but our relationship does not bleed over at all into Marianne, Bree, Oliver. He just trusted me. Honestly, the main thing that he would have opinions about was if something sounded British. He’d be like, “Well, I would never say this because this is so fucking American.” So that was the main thing. We talked at length about who Oliver was. Tom naturally is so charming and lovely and warm and sweet that I had to really get him to pull back, become colder, because I really didn’t want Oliver to seem like he was coming on to Bree in the beginning. There’s something that happens when a good-looking guy is too smiley. It just looks like they’re flirting even when they’re not. So I had to be like, “Stop smiling.”

When we talked about the season one finale, you referred to the final moments as an “asshole-cliffhanger ending.” You’ve done it again with season two. What can we expect Bree’s next moves to be after hearing Stephen’s recording of Evan confessing to having sex with Lucy?

We need some justice for Bree, some sort of revenge. A lot of people have done her very wrong. That was not in the original ending. I always knew that Stephen was going to record Evan’s confession. When Evan says, “Are you going to ruin my life?” Stephen says, “Not today.” I think people know, oh shit, he’s using this. Initially, we were going to see him walk up to Bree and be like, “Hey, I need to talk to you,” and then leave it at that. But then I just decided that was less dramatic and fun. In reality, Stephen would drop the bomb and already be in a getaway car.

Catherine Missal as Bree in Tell Me Lies.Josh Stringer

Who is Bree seen intensely talking to on the phone the night before her wedding? Anything you can share about that?

I can’t. That was another thing that was not in the script originally, and I ended up adding it just because we realized Bree has been through so much in 2008. There’s no way she’s stable and functioning perfectly in 2015. So we’re like, okay, we’ve got to fuck her up a little bit more in 2015.

You have described your next series, Second Wife—which stars your husband and Tell Me Lies executive producer Emma Roberts—as “Stepmom meets Fleabag.” What can you say about it?

It’s certainly a dark comedy. I have realized I don’t know how to write something that isn’t a little bit dark. It’s probably going to be more relatable to people because it’s not quite as heightened. Tell Me Lies is so toxic, so crazy. What interests me the most in any story is the things people do behind closed doors. People are genuinely shocking, especially what they do when they’re trying to be loved. It’s one of the most vulnerable positions to be in, is to be trying to get someone to love you. Second Wife is definitely a show about three people pursuing love, and trying to figure out why they have not been loved properly or why they have failed loving properly before.